How can we quickly acquire a large number of target users at a low cost instead of engaging in a protracted war with competitors? This is not common on the Internet today. Nowadays, most industries have become red oceans with long-standing competition, while the technology and resource barriers in the blue ocean market are extremely high, which are beyond the reach of ordinary products. In the fiercely competitive red ocean market, how can you achieve great results with little effort? An effective way is to think deeply about the key needs of users, the real weaknesses of competitors, and where you can play a huge advantage, and combine these three:
NetEase Cloud Music’s playlist import function is a typical example of using little effort to achieve great results. While competitors are competing for market share through copyright investment and promotional resources, NetEase Cloud Music is using a relatively lower-cost feature to attract users who want to change music apps. Ultimately, this feature brought nearly one million active users to NetEase Cloud Music. If calculated based on the market price of 10 to 20 yuan for acquiring an active user, this feature is worth tens of millions in marketing costs. We can review the imported playlist of NetEase Cloud Music and see what we can find. In 2013, shortly after NetEase Cloud Music was launched, the online music app market was a fiercely competitive red ocean market. At that time, mobile Internet had entered a period of rapid development, smartphone shipments reached their peak, and almost every Internet user had a smartphone. As one of the top five needs of smartphone users ( social , news, shopping, video, and music), music is an application that smartphone users will definitely install. There are many choices on the market: the old-fashioned players such as Kugou Music, Kuwo Music, QQ Music, and Baidu Music that have been around for many years; Tiantian Dongting and Duomi Music that have gradually emerged with the mobile Internet ; and the more high-end Xiami Music and Douban FM. Therefore, the situation faced by NetEase Cloud Music is that every new user is very likely to have migrated from other products. The goal, then, is to acquire new users from competitors. The user migration cost is exactly the headache that every music app has when it wants to acquire users from its competitors. Among the top five user demands, social and music have the highest migration costs. The migration cost of social media is user relationships. The established user relationships are very stable and difficult to migrate. The migration cost of music is the copyright of the music content and the collection of music lists left by users after long-term use of the product. The former is usually a competitive barrier calculated in billions of RMB. At a time when piracy was rampant, this approach was indeed not cost-effective. In addition to purchasing music copyrights, the NetEase Cloud Music team also set a requirement for themselves: is there a more cost-effective way to acquire competitors' users? We focus on the user's favorite music list. If the number of songs in the collection is dozens or hundreds, the cost of adding them one by one when changing the product migration list will be prohibitive for most users. Even if a product experience is good and the content is exclusive, it is very difficult for users to change products. So our problem becomes:
Do you have answers to these two questions? This is a typical logical thinking process of "goal-problem-solution", which is basically the most commonly used way of thinking by product managers . It has the following key points:
Taking NetEase Cloud Music as an example, the goal is to acquire new users from competitors. Two questions:
In this article, we will talk about the solution to the problem in this case and complete the logic of this thinking. During the thinking process, the focus is to combine user needs, competitors' weaknesses, and the advantages of your own products to find a breakthrough. The first question: How to allow users to migrate their existing music collection lists? The most direct thing we think of is allowing users to transfer the music list of the original product to the new product. This is quite common in other Internet fields, such as blogs, emails, browser bookmarks, etc., which all have similar functions. The migration list can indeed hit the user's pain points. As long as the cost of user operation is simple and the migration can be completed with one click, it will be very convenient for users. Let’s consider it from the perspective of competitors’ weaknesses and the advantages of our own products. Let’s take Douban FM and Xiami Music as examples. In 2013-2014, Douban FM users were able to accumulate hundreds of Red Heart Music, but it had a big problem: users could not download the Red Heart Music, nor could users request a specific Red Heart Music, which was limited by Douban FM's copyright factors. Similarly, users of Xiami Music will accumulate a lot of their favorite music, but it also has a hidden danger, which is that users need to pay Xiami coins to download music, which is also limited by Xiami's copyright factors and revenue considerations. The fact that users’ collected music cannot be downloaded for free is a weak point of these two products. When NetEase Cloud Music was first established, its positioning was to encourage users to listen to good music from all over the world. It provided 320K of high-quality music in its music library and allowed users to download it for free. The product has a rich playlist, and users with all kinds of tastes can find the music they like. There are no restrictions from playback to downloading, and the experience is very smooth. This closed loop is the advantage of NetEase Cloud Music. And this advantage happens to target the weaknesses of competitors. Therefore, when we consider users migrating their existing music collection lists, we will also take the above two factors into consideration. How can we combine them together to effectively meet user needs and acquire a large number of users? After analyzing this, the answer is actually obvious. NetEase Cloud Music guides new users to import their favorite music lists from other products, and the main point is that after importing, they can download 320K high-quality music for free:
In these links, NetEase Cloud Music did not actively promote the function of importing playlists, but relied on users to spread it spontaneously. On Weibo, Tieba, Zhihu, and WeChat Moments , users promote the benefits of NetEase Cloud Music: "The music accumulated in other music products can be easily transferred over with one click, and 320K high-quality music can be downloaded for free. It's really great." The more music a user collects, the more likely he or she is to be an opinion leader among the music community, and the more influence he or she has on the people around him or her, and the wider the spread of his or her music. The second question is: Do users who have not yet formed a large collection of music lists exist? In the process of thinking about this question, I first started with myself and recalled my own experience of listening to music from childhood to adulthood: 1. When I was in junior high school, I first came into contact with pop music by listening to Jay Chou's tapes; 2. A friend of my parents gave me an MP3 player with more than 200 songs in it, most of which were in English, which really opened my ears. The first time I knew about M2M, Backstreet Boys, and The Cranberries; 4. In high school, influenced by classmates, I gradually came into contact with Hong Kong and Taiwan pop music and began to admire idols such as Beyond and Leslie Cheung. At this time, I had a clear preference for music; 5. When I was in my senior year of high school, influenced by my girlfriend, I came into contact with European and American rock and metal bands, and my musical taste became more defined. At this time, I got to know Linkin Park, Guns N' Roses, and Nightwish, and the latter two became my favorite bands for the next decade or so. During this period, I developed a musical taste that has continued ever since: European and American rock music. I also started to remember the names of bands and my favorite songs, and developed the intention to collect them. Before this, I only collected albums by Eason Chan, Leslie Cheung and Beyond. After that, I collected a lot of music from bands. As Kugou P2P music became popular, I started downloading and storing them on my computer. 6. After entering college and working, my music taste and collection habits are a continuation of high school, without much change. I like more and more music and artists, but my behavioral habits remain basically the same.
After that, I did some qualitative user research to verify it, and basically users do follow this rule and it is logically coherent. Therefore, there are users who have not yet formed a large collection of music lists. A large proportion of them are young people whose musical tastes have not yet been formed. These users are mainly college students, high school students, and junior high school students. In addition, young users have not yet been educated by existing music products and formed inherent usage habits. Users with fixed music tastes have a weaker demand for discovering music and prefer to play music that they have already collected and downloaded. Young people have more possibilities and plasticity. If NetEase Cloud Music focuses on this group of users, on the one hand, it can avoid the problem of high costs in migrating existing music collection lists; on the other hand, it can also use the characteristics of its own products to cultivate their better habit of discovering music. The new habits developed by the young people who grew up with NetEase Cloud Music will be difficult to change by other competitors. Other products can only compete with NetEase Cloud Music for young users. In this user group, the first-mover advantage of competitors is not so obvious, and the relatively outdated product positioning and system have become their own disadvantages. In this case, in order to acquire new users, instead of competing with its rivals across the entire user base, NetEase Cloud Music chose to focus on the user demand segment where it could achieve a significant impact with minimal effort. The key point is to think in terms of user needs, competitors' weaknesses, and the advantages of your own products to find a breakthrough. The entire thinking process revolves around "goal - problem - solution". Every step forward requires looking back to think about whether the direction and path have gone astray. It should be emphasized that this is not just a purely logical process, but also involves many empirical judgments, imaginative assumptions and more emotional parts. To use this method effectively, it still depends more on the product manager's deep understanding of the business and users. Mobile application product promotion service: APP promotion service Qinggua Media information flow The author of this article @NetEase Cloud Music Product Manager Wang Shimu was compiled and published by (APP Top Promotion). Please indicate the author information and source when reprinting! |
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