TikTok anchor PK strategy and skills

5 Tips for Hosts to Connect with MCs

16 game contents of the penalty for connecting to microphone

1. The difference between live broadcast and live broadcast without live broadcast

1. For anchors who like to connect with live broadcasts, on the one hand, they increase their own popularity, let more fans know them, and provide themselves with a bigger stage. On the other hand, there is an opportunity to learn more practical skills from big anchors, such as how to attract fan consumption and create a live broadcast atmosphere. You can also stimulate consumption appropriately and play gift PK games.

2. The anchor who doesn’t like to connect to the microphone stays in his own small room all day, like a farmer waiting for customers to come and give gifts. In fact, if we think about it carefully, this is definitely a thankless task. So, fellow anchors, no matter what, you must step out bravely and positively.

2. Choosing the right time to connect with the microphone

1. Generally speaking, the anchors will start connecting to the microphone one hour after the live broadcast, because they need to gather a certain amount of popularity before connecting to the microphone. So as a new anchor, don’t keep asking for a microphone connection as soon as other anchors start broadcasting, as this will make people feel disgusted. Of course, you should also know the host's end time before connecting with the microphone. Never wait until other hosts are about to end the broadcast before going to connect with her.

2. When the host needs to leave for a short time due to something, he can apply for a live broadcast to save the situation, which can add points for the live broadcast. It is not appropriate to connect to the microphone when the anchor is expressing his emotions to his fans or when the anchor is in a bad mood. Therefore, it is very important for the anchors to choose the right time to connect to the microphone. It is best to communicate privately with the host you are going to connect with before each live broadcast, so that the other party will not feel abrupt and unprepared.

3. Preparation before the live broadcast

Before connecting to the live broadcast, you must make preparations, such as agreeing on a time with other anchors in advance, preparing clothes, props and talents, adjusting your mindset, and being prepared for the live broadcast. This way, you will have confidence and will not be at a loss.

Clothing preparation: Wear something that suits your temperament, don’t be too casual.

Talent preparation: It should be representative. Pick what you are best at and what can attract tourists. It is best to prepare 2-3 and keep them as backup.

Props preparation: prepare commonly used game props. Thoughtful prop preparation can add points to the live broadcast.

Adjust your mindset: We often see some novice anchors getting too nervous during live broadcasts and unable to utter a word. Or they may be unable to bear the gap between themselves and the big anchors, and become depressed and listless during live broadcasts. I personally suggest that young anchors start connecting to the live broadcast with a learning mindset, and think more about how connecting to the live broadcast can help them gain more popularity and learn more knowledge, rather than complaining about their own shortcomings.

IV. Precautions during the live broadcast

1. You should have a certain understanding of the host during the live broadcast. There is no need for hypocritical flattery during the live broadcast. The key is to be sincere.

2. When you go to a host's place for a live broadcast for the first time, you should give gifts appropriately. The amount of gifts you give is a question of ability, and whether to give gifts is a question of attitude, just like when you visit distant relatives or friends and bring some gifts.

3. If you find that the program you are going to perform has been performed in advance by the host or other guests on the microphone, change the program in time to avoid embarrassment caused by duplication of programs.

5. Taboos in Live Broadcasting

1. To take the place of the main event and not know the priority.

2. After connecting to the microphone, immediately go back to attract attention and start live broadcast to gain popularity.

3. Being hesitant and unable to let go.

4. Not knowing how to respect the host and jamming into the microphone at will.

5. Respect the audience who are connected to the live broadcast with you.

VI. Complete list of penalties for connecting to a microphone

1. Water Balloon Bomb (Props: balloon, water; How to play: fill the balloon with water, tilt your head back, and put the balloon on your face. Poke it with a cigarette butt)

2. Red-faced Guan Gong (Props: lipstick; How to play: paint the whole face red with lipstick)

3. African (Props: eyeliner or eyeliner cream; How to play: paint the whole face black)

4. Draw underwear on the chest (props: lipstick or eyeliner; how to play: draw the shape of underwear on the chest, use a male anchor)

5. Physical punishment (Props: washbasin, water; How to play: put the washbasin filled with water on your head and squat for 10, 20, 30, 40, 50 times depending on the situation)

6. Take the slippers and pat your thighs and the bed at the same time.

7. Face your thighs towards the camera and write.

8. Slap your thighs and shout into the microphone.

9. Slowly tear off your stockings while dancing.

10. Making unfamiliar phone calls.

11. Use toilet paper to clamp your feet and burn them.

12. Set your cell phone to vibrate mode and place it inside your clothes facing the microphone. The winner then makes the call (you should be able to hear the vibration sound).

13. Twist your waist towards the camera to make it look funny.

14. Take a mineral water bottle, fill it half with water, and then place it flat on the table. Use your mouth to unscrew the bottle cap and then screw it back. The bottle must be placed on the table.

15. Take a bottle filled with water and drink it while it flows out from both sides of your mouth or pour the water slowly towards the center of your chest.

16. Biting the shoes and singing into the microphone.