“It is important to have a teacher in learning, but it is also important to have a friend.” – Tang Zhen oneThe impact of advertising materials on advertising effectiveness is unquestionable. Personally, I believe that for an advertisement, the experience and skills of the publisher only account for 30%, and the remaining 70% is in the materials. The optimization of advertising materials directly affects the increase in CTR and the competitive advantage in advertising bidding. Efficient optimization of advertising materials can further enhance the advantage. Advertising personnel and art personnel often spend more than 70% of their time and energy on finding materials and thinking about directions. Efficient material production optimization can free up advertising personnel and art personnel from finding materials, leaving more time and energy for thinking about material production and optimization ideas. twoThe following are some methods and techniques for optimizing advertising materials that I have compiled personally, which I would like to share with you briefly. First, information should be symmetrical1: Understand our product information – mainly the degree of understanding of the product; 2: Understand what kind of materials are most effective for products in the same category? 3: Are you clear about who your competitors are? What materials and copy did they use? On which platforms and media are they placed? 4: Download and experience competing products to see the differences and their landing pages. A good landing page is also an important way to improve conversions. 5: Who are the target audiences of our product and prescribe the right medicine. For example, we are currently optimizing a zombie mobile game. So I first need to fully understand the current scale and trend of similar games of the same theme from other companies, and secondly, what kind of materials they use? Which materials have good conversion effects? What is the design and layout of the game’s landing page? Next, I will find out which media platforms my competitors are using to advertise. What personal characteristics and demographic attribute labels do the users of these platforms have? Are they also the target players of my game? Second, determine user behaviorBefore making materials, you must first understand the user's psychology, think from the user's perspective, and understand the user's needs. I borrowed a flowchart compiled by a big guy; Judgment logic of user behaviorThird, optimize the processBefore design1: Organize the material library and material direction list . Experienced publishers and teams basically understand the corresponding channels, material routines and rules of the corresponding markets. We can organize the corresponding material library and material direction list. For example, if the company wants to launch a new game, we can list and organize it according to mature material routines and popular materials in the market, by type, subject matter, and some common elements. For example, RPG games are nothing more than upgrades, mounts, PK, development, etc. Similar games can be reused, which can be said to be a summary that can be used for a lifetime. The more common material directions can be directly applied:
2: Progress synchronization . There are usually multiple delivery personnel and art personnel in a team. It is common for multiple people to correspond to the same project or multiple projects. In order to quickly understand each other's situation, progress synchronization is particularly important. It is recommended to use Trello, a combat tool for small teams. The progress of each designer's material production is clear at a glance, and delivery personnel can add new ideas at any time. 3: Information sharing . Many teams do not share some material data, believing that it is sensitive. Appropriate synchronization of material data is necessary. Many artists produce materials by themselves, but have no idea what the effects will be. They can only passively accept second-hand information from the publishers. At the same time, they tend to be more executive in material production, and their creative ideas cannot create a synergistic effect with those of the publishers. 4: Use search skillfully . I have seen many designers use various methods to find materials. Generally, we divide them into broad search and precise search:
DesigningThrough the search of preliminary materials, there are a few points to note when designing: 1: You need to understand which version corresponds to which size of material, which size of material has the best effect, and design the corresponding ad creative material size based on actual conditions. 2: Regarding the duration, it is best to complete the delivery of information within 15 seconds. This also lays the foundation for us to make full use of various advertising positions, such as video interstitials and Instagram Stories ads, both of which have a maximum duration of 15 seconds. 3: Use vertical videos. Most people are used to using their phones in portrait mode, and horizontal videos often fail to make full use of the phone screen. Try using a video with an aspect ratio of 4:5 or 9:16. 4: Show the most exciting content in the first three seconds of the video. The first 3 seconds of a video ad are crucial and can be said to determine the fate of the entire video ad. Don’t add too much exaggeration at the beginning, just start with the most attractive content. After DesignAfter designing the advertising creatives, they can be put into circulation. The placement work is usually arranged by the delivery personnel and needs to be coordinated with specific circumstances such as bidding and audience targeting. After the data came out, the art students communicated the relevant data with the cooperating optimizers. Optimize advertising creative materials through data results. Generally, we will choose to come to the company early the next morning to carry out this time period. The optimizer will initiate the analysis of the material situation of the previous day with the art staff, and formulate the direction of the next material based on the data. For materials with good data effects, optimizers can optimize through different ad positions or precise positioning, while art students can make more precise derivative designs; for materials with poor data effects, we need to communicate strategies together. Generally, we will have corresponding data analysis tables to analyze user loss and make corresponding video modifications. threeIn the process of optimizing advertising creatives, the communication and production processes from demand to creatives are streamlined, and material management is online, forming a closed loop of creative empowerment. The delivery effect can be tracked, and the communication of demand and creativity is smooth. The entire process can at least improve the quality and efficiency of material output by about 50%. Author: Everyone is an optimizer Source: Everyone is an Optimizer (growing360) |
<<: "Deep Emotional Attraction" sharp change of thinking and methods, make the other person like you
>>: How to do cross-border marketing? One article explains
Nowadays, many companies choose to rent an office...
Course Outline: "Feng Shui turns around, and...
For website SEO optimization personnel, providing...
Two years ago, when people talked about drinking ...
Seeing the title, many people may say, don’t writ...
Coca-Cola is jokingly called "fat house happ...
I will strangle the traffic by the throat and sta...
We have discussed the work that operations need t...
Still looking for ways to increase your client...
Having worked in operations for several years, I ...
In terms of promotion and traffic , different pro...
With the vigorous development of mobile Internet,...
Introduction to Lao Liang's Value Investment ...
From data products to user growth operations , he...
The complete collection of the communication valu...